The Backbone of Britain is made from a collection of twenty cardigans which my dad found stashed in a chest of drawers when he was clearing out my great aunt's house - hand knitted, seemingly unworn, all acrylic. Within the collection, there is a range of styles - although there are multiple versions of several patterns, knitted in different colours and sizes. We think my nana, Gladys (Auntie Alice's sister), knitted them - but can't be sure, as she died a few years before they were found. My nana was a prolific knitter, and taught me to knit when I was little, so this pile of cardigans felt emotionally significant, as well as representing a staggering amount of effort.
For obvious reasons, I ended up with this collection of cardigans. I didn't feel a desire to wear any of them - despite my cardigan fetish, I don't 'do' acrylic - but didn't feel I could get rid of them either. So, for years they were stashed away in a cupboard, and each time I saw them, I felt guilty. In 2013, aided by Celia Pym and Rachael Matthews, I helped the cardigans to organise themselves into a new form.
Nana, or whoever knitted these cardigans originally, made most of this work. I have just arranged it a little.
Many thanks to Deadly Knitshade for this great video (click on the image to pause):
Made in 2013.
Available for exhibition. Previously shown at my solo show at Prick Your Finger, 2014.